Don't miss James Coleman's slide-tape installationI N I T I A L S (which I'm glad to say is beautifully installed) at IMMA until the 3rd September. James Coleman is probably the most important and certainly the most influential contemporary living Irish artist whose work is bizarrely rarely seen in the country.

I N I T I A L S Coleman uses a slide-tape format (multiple transparencies projected with synchronised audio tape) in his continuing investigation of the psychological, social and historic conditioning of perception. We see an unusual assortment of people in what could be a hospital setting, but might, with equal relevance, refer to a TV drama studio, with the attendant preparatory rituals for both settings. As the piece progresses, the voice of what appears to be a child spells out words or utters disparate statements, diverging more and more from the sequence of events depicted visually, calling into question photography’s traditional claim to documentary authenticity.

A further element of uncertainty is introduced through the variety of different genres in which the artist chooses to present the images, from popular television soap opera style to the serenity of a 17th-century Dutch portrait. Cocooned in a darkened and carpeted space, the work challenges the viewer to move through the space and find their own vantage point, thereby becoming part of the core experience of deconstruction and reconstruction. Lynne Cooke in a recent essay on Coleman’s work describes the process whereby “weaving references drawn from film, from drama and from painting, Coleman situates his trilogy in a hybrid realm, one that allows him to comment obliquely on these canonical art forms and their traditions without, however, fully subscribing to any.”