
Lost Dog from a series of lost posters by asbestos I’ve been seeing around.

La Chute a series of photographs by Denis Darzacq inspired by the Paris riots the photographs, which are real action and not photoshopped, show young men frozen as they fall to the ground in the Paris streets depicting a generation in freefall. More

The closing date for the Rhizome 2007 Commissions is approaching fast, this year Rhizome will be commissioning 10 projects of internet based art and one project to benefit the Rhizome community. Closing date is April 2nd so still time to get your act together.
David O Russell loses the plot on the set of I heart Huckabees – dude you’re wearing a white suit how do you expect to be taken seriously!
via defamer

Google Bono is showing at File Rio, in Rio de Janeiro Brazil until the 24th April.
Details for the Klaus Ottman curated open ev+a 2007 – A Sense of Place, including a list of participants and a curatorial statement are now up on their website.
I came across this a while ago meant to post it but forgot, so I’ll do it now. It’s from the (cringeworthy )Fantasy football TV show but it’s worth watching for Luther Blisset (Watford and AC Milan footballer) talking about the other Luther Blisset.
Classic. From Hanne Mugaas & Cory Arcangel’s Art Since 1960 (According to the Internet)
via art fag city
Starting tonight on BBC2 (for those of you who get it …and shortly afterwards on the net for the rest) The Trap: What Happened to Our Dreams… is a new series of films by Adam Curtis (The Power of Nightmares, Century of the Self) that tells the story of the rise of today’s narrow idea of freedom. It will show how a simplistic model of human beings as self-seeking, almost robotic, creatures led to today’s idea of freedom. This model was derived from ideas and techniques developed by nuclear strategists during the Cold War. It was then taken up by genetic biologists, anthropologists, radical psychiatrists and free market economists, until it became a new system of invisible control.
Highly recommended

Hamish Fulton, walking artist.
As part of a project I’m working on for my graduate exhibition I’ve been thinking about how you represent a process-based, participatory experience in a gallery setting (and still retain some integrity). As hamish Fulton says an object cannot compete with an experience…but you can sell it, and therein lies the problem.


